Saturday, March 4 – 7:30pm
The Kranzberg Arts Center Studio, 501 N Grand Boulevard
$20 General Admission, $15 Students and Artists
Tickets are available at MetroTix as well as at the door on the night of the show.

 

HEARding Cats is excited to present Gabriel Dharmoo in his Anthropologies Imaginaire, a solo vocal performance that interacts that interacts with an accompanying mockumentary wherein the experts comment on invented vocal traditions demonstrated by the singer-performer.

Anthropologies Imaginaire is a humorous and disturbing exploration of post-colonialism, post-exoticism, cultural extinction, globalization, normalized racism and cultural appropriation.

Various odd or isolated vocal expressions from around the world are woven together and revisited through imaginary folklore and experimental voice techniques, showcasing the virtuosity, versatility, and strangeness of the human voice. The result is an aural landscape that questions concepts of normality by reminding audiences how people across the world use the voice differently to convey their cultural identities and artistic sensibilities.

The piece was the winner of the Best International Production at the 2015 Amsterdam Fringe Festival and the Contra Guys Award for Best New Performance Text at the 2016 SummerWorks Festival.

Dharmoo will also be giving a workshop at the Electronic Music Studio (Tietjens Hall) at Washington University on Friday, March 3rd.  The workshop is free and open to the public.

Sunday, 26 February – 7:30pm
The Sheldon Ballroom, 3648 Washington
General Admission $20, Student and Artist $15
Please RSVP to alumrod@gmail.com!

HEARding Cats Collective is celebrating the 80th birthday of our co-founder and artistic director, Rich O’Donnell, with a concert that spans 47 years.

From O’Donnell’s 1970 MikroTimbre I solo for amplified TamTam, to free improv created in the moment with Symprov Trio, an ensemble of virtuoso current and former St. Louis Symphony Orchestra musicians Asako Kuboki (violin) and Timothy Myers (trombone), with interludes of O’Donnell’s virtual drumming on Wiimote and nunchuck accompanying Casper McElwee’s 3D Anaglyph video and poet Anna Lum.  It’s a major birthday, so there will be other surprises as well!

Tickets can be purchased at the door, but an RSVP to alumrod@gmail.com would be greatly appreciated.

In 2001 Asako Kuboki joined the St. Louis Symphony. Kuboki performed extensively with the New Horizons Chamber Ensemble in Baltimore, a contemporary music group that worked in collaboration with composers, poets, and visual artists, for five seasons. Since relocating to St. Louis she has continued performing chamber music and solo recitals throughout the U.S., and at international music festivals.
Timothy Myers has held the St. Louis Symphony’s William J. Orthwein Principal Trombone Chair since 1997. A graduate of Northwestern University, Myers studied with the late Frank Crisafulli and the late Arnold Jacobs, both legendary members of the famed Chicago Symphony low brass section. Myers has performed with the Chicago Symphony, Atlanta Symphony, and Minnesota Orchestra and has given a number of solo recitals in the Midwest. He has also toured with the Summit Brass.
Rich O’Donnell’s career as a professional musician spans six+ decades, 43 of which was with SLSO as principal percussion. He has performed on 4 continents. In addition to his virtuosity as a percussionist, O’Donnell is a prolific composer, innovator and inventor of percussion and electronic instruments, producer, teacher and writer. He is currently director of the Electronic Music Studio at Washington University, St. Louis.
Photo by Robert LaRouche of the St. Louis Post-Dispatch Pictures staff, 1970.

Analog Revenge

ANALOG REVENGE has been postponed to a later date TBD. The Luminary, 2701 Cherokee Street General Admission $15, Student and Artist $10 HEARding Cats Collective knows that our culture is drowning in digital technology, so we are proud to present ANALOG REVENGE and show the world that analog survives and thrives.  ANALOG REVENGE presents three […]

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